Jeremy Siepmann - An Intoduction to Dvorak Symphony No 9

年:	2002
类型:	交响音乐
作曲家:	Antonin Dvorak
指挥:	Stephen Gunzenhauser
表演者: - Slovak Philharmonic Orchestra

MP3 格式 FLAC 格式

CD1

1	01. 1. A quiet beginning: sorrow syncopation and sequence	2:38	6.03 Mb	320 Kbps	buy

2	02. 2. Instrumental colour as a prime element: clarinets and bassoons an outburs...	0:57	2.18 Mb	320 Kbps	buy

3	03. 3. The opening tune again with different instrumental colouring now flutes ...	0:32	1.22 Mb	320 Kbps	buy

4	04. 4. The first big surprise: strings shattering drumbeats shrieks from flutes...	0:37	1.41 Mb	320 Kbps	buy

5	05. 5. Cellos and basses take us into a new key while flutes and oboes dance in s...	0:32	1.22 Mb	320 Kbps	buy

6	06. 6. Horns violas and cellos introduce a new idea soon to evolve into the ma...	0:31	1.19 Mb	320 Kbps	buy

7	07. 7. A tiny detail from the opening culminates in a wild drumming that heralds ...	0:43	1.64 Mb	320 Kbps	buy

8	08. 8. Introduction complete	2:05	4.77 Mb	320 Kbps	buy

9	09. 9. A solo horn introduces the main theme perkily answered by bassoons and horns	0:39	1.49 Mb	320 Kbps	buy

10	10. 10. The theme moves to G major answering phrase from flutes oboes bassoons...	0:33	1.26 Mb	320 Kbps	buy

11	11. 11. Long crescendo tremolo strings back to tonic and biggest statement yet ...	0:39	1.49 Mb	320 Kbps	buy

12	12. 12. Transition to the secondary theme through the use of sequence. Sonata for...	1:36	3.67 Mb	320 Kbps	buy

13	13. 13. Three-bar groupings and again the use of sequence spelling out a chord	0:34	1.30 Mb	320 Kbps	buy

14	14. 14. The sequence continues to rise and the four-bar phrase returns as the st...	0:18	0.69 Mb	320 Kbps	buy

15	15. 15. The first violins start off the next phrase but the melodic shape is mor...	0:21	0.80 Mb	320 Kbps	buy

16	16. 16. The violins fall silent the violas and cellos answer with a new figure ...	0:09	0.35 Mb	320 Kbps	buy

17	17. 17. So now we have a two-tear group made up of statement and answer	0:07	0.27 Mb	321 Kbps	buy

18	18. 18. The same thing again though not quite the same	0:05	0.20 Mb	321 Kbps	buy

19	19. 19. Transition complete. The secondary theme arrives with French horns as b...	1:00	2.29 Mb	320 Kbps	buy

20	20. 20. The bagpipe drone is taken over by cellos with their insistently repea...	0:19	0.73 Mb	320 Kbps	buy

21	21. 21. The tune is taken up by cellos and double-basses shadowed by the secon...	0:57	2.18 Mb	320 Kbps	buy

22	22. 22. The violins continue a pattern of steady pairs and the cellos and basses...	0:33	1.26 Mb	320 Kbps	buy

23	23. 23. Unexpectedly we find ourselves back with the secondary theme. A new idea...	0:26	0.99 Mb	320 Kbps	buy

24	24. 24. Again we hear the shortened version of the secondary theme followed by m...	0:33	1.26 Mb	320 Kbps	buy

25	25. 25. The suspense is heightened as everything slows down a soft still varian...	0:25	0.96 Mb	320 Kbps	buy

26	26. 26. This beautiful flute tune is said to resemble Swing Low Sweet Chariot	0:47	1.80 Mb	320 Kbps	buy

27	27. 27. A big crescendo leads to a final statement of the closing theme bringing...	1:16	2.90 Mb	320 Kbps	buy

28	28. 28. The development section begins with a conversation between cellos double...	1:09	2.63 Mb	320 Kbps	buy

29	29. 29. The beginning of the closing theme is taken up in turn by the horn picco...	0:18	0.69 Mb	320 Kbps	buy

30	30. 30. Sequential chirping from the oboes based on the answering part of the m...	0:18	0.69 Mb	320 Kbps	buy

31	31. 31. Much of the development comes from a diminution of the closing theme from...	0:19	0.73 Mb	320 Kbps	buy

32	32. 32. A tiny detail becomes a major ingredient giving an agitated quality to a...	0:31	1.19 Mb	320 Kbps	buy

33	33. 33. Through a sequence of keys so quickly that it is hard to keep track of th...	0:37	1.42 Mb	320 Kbps	buy

34	34. 34. The main theme from massed cellos and double-basses topped by two trumpe...	1:46	4.05 Mb	320 Kbps	buy

35	35. 35. After that major climax we arrive at the threshold of the recapitulation...	1:04	2.45 Mb	320 Kbps	buy

36	36. 36. Dvorak flouts tradition by setting the secondary theme and the closing th...	1:10	2.67 Mb	320 Kbps	buy

37	37. 37. The tumultuous convulsion of the coda brings the first movement to its ep...	3:09	7.21 Mb	320 Kbps	buy

38	38. 38. Humpty Dumpty: putting the bits back together again	0:20	0.77 Mb	320 Kbps	buy

39	39. 39. First movement complete	11:36	26.56 Mb	320 Kbps	buy

40	40. 40. The very opening chords unmistakably herald the arrival of something special	1:06	2.52 Mb	320 Kbps	buy

41	41. 41. The role of instrumentation in setting the scene	1:10	2.67 Mb	320 Kbps	buy

42	42. 42. and in enhancing the quality of one of the most famous tunes in symphonic...	1:29	3.40 Mb	320 Kbps	buy

43	43. 43. The cor anglais is joined by the clarinet creating a fascinating change ...	1:08	2.60 Mb	320 Kbps	buy

44	44. 44. For the closing part of the tune there is another new sonority: cor angl...	0:24	0.92 Mb	320 Kbps	buy

45	45. 45. The closing bar is repeated by clarinets and bassoons the horn adding a ...	0:28	1.07 Mb	320 Kbps	buy

46	46. 46. Back to the start to hear the whole of the story so far this time withou...	2:24	5.50 Mb	320 Kbps	buy

47	47. 47. A change of scoring: the slow opening chords return this time played by ...	1:14	2.83 Mb	320 Kbps	buy

48	48. 48. The changes in scoring are just beginning	2:35	5.92 Mb	320 Kbps	buy

49	49. 49. The flutes and oboes introduce a new tune over hushed tremolo strings	1:05	2.48 Mb	320 Kbps	buy

50	50. 50. A memorable combination of continuous asymmetrical melody with steady m...	1:28	3.36 Mb	320 Kbps	buy

51	51. 51. Back in that woodland glade the light and shadows have changed revealin...	1:33	3.55 Mb	320 Kbps	buy

52	52. 52. The next section is new and forward-looking yet also a kind of dream-rec...	1:30	3.44 Mb	320 Kbps	buy

53	54. 54. Subjectivity and expertise Sourek and Tovey disagree onwards into the ...	5:14	11.98 Mb	320 Kbps	buy

54	55. 55. Cue to whole movement	0:10	0.39 Mb	320 Kbps	buy

55	56. 56. Second movement complete	12:00	27.47 Mb	320 Kbps	buy

CD2

1	01. 01. Dvorak Beethoven and the Scherzo Dvorak purposely confuses the listene...	1:54	4.35 Mb	320 Kbps	buy

2	02. 02. Using a little fanfare Dvorak further builds up expectation before revea...	0:21	0.81 Mb	320 Kbps	buy

3	03. 03. When the theme is revealed we find that it is not exactly a tune	0:36	1.38 Mb	320 Kbps	buy

4	04. 04. Two little bursts of rhythm provide the seeds from which much of the move...	0:24	0.92 Mb	320 Kbps	buy

5	05. 05. It is the second half of the theme that dominates	0:22	0.84 Mb	320 Kbps	buy

6	06. 06. Back to the beginning to hear the whole of this opening section	0:48	1.84 Mb	320 Kbps	buy

7	07. 07. Without ever being remotely academic or intellectual there is much c...	0:20	0.77 Mb	320 Kbps	buy

8	08. 08. Dvorak s very Czech love of combining conflicting rhythms sometimes metres	2:31	5.76 Mb	320 Kbps	buy

9	09. 09. A clearly transitional passage obsessed with the rhythmic tag that both ...	0:30	1.15 Mb	320 Kbps	buy

10	10. 10. Sooner than we may have expected we seem to have arrived at the Trio sec...	1:07	2.56 Mb	320 Kbps	buy

11	11. 11. A new kind of tone quality sheds a subtly different light on the theme	0:35	1.34 Mb	320 Kbps	buy

12	12. 12. The flutes and oboes now chime in with an answering variant of the opening	0:21	0.81 Mb	320 Kbps	buy

13	13. 13. and the cellos and bassoons take up the original version of the theme.	0:43	1.64 Mb	320 Kbps	buy

14	14. 14. A false alarm: it was not the traditional Trio section at all but rather...	0:52	1.99 Mb	320 Kbps	buy

15	15. 15. Soon after a very rapid build the Scherzo proper does reach its final phase	1:13	2.79 Mb	320 Kbps	buy

16	16. 16. The orchestral texture thins dramatically and we approach what this time...	1:28	3.36 Mb	320 Kbps	buy

17	17. 17. The Trio section is reminiscent more of the Old World than the New	0:50	1.91 Mb	320 Kbps	buy

18	18. 18. In the second half of the Trio a new tune emerges a kind of Slavonic waltz	1:00	2.29 Mb	320 Kbps	buy

19	19. 19. The main theme of the Trio returns against a much fuller orchestral backg...	0:36	1.38 Mb	320 Kbps	buy

20	20. 20. Then it is all a matter of repeats until we reach the coda which ends w...	1:15	2.87 Mb	320 Kbps	buy

21	21. 21. Third movement complete	8:07	18.58 Mb	320 Kbps	buy

22	22. 22. Like the first movement the fourth begins not with its main theme but wi...	0:47	1.80 Mb	320 Kbps	buy

23	23. 23. The main theme: an imposing march introduced by trumpets and trombones ...	0:48	1.83 Mb	320 Kbps	buy

24	24. 24. The main theme part two. A codetta-like passage closes off the march and...	1:01	2.33 Mb	320 Kbps	buy

25	25. 25. The transitional theme while outwardly contrasting is actually a hidd...	0:53	2.03 Mb	320 Kbps	buy

26	26. 26. A point of future obsession	0:16	0.62 Mb	320 Kbps	buy

27	27. 27. The second half of this transitional theme is given to the winds as soo...	0:16	0.62 Mb	320 Kbps	buy

28	28. 28. The obsession takes root with a ten-fold repetition before the arriva...	0:57	2.18 Mb	320 Kbps	buy

29	29. 29. The hidden traps in sonata-form terminology: second main theme vs. sec...	2:31	5.76 Mb	320 Kbps	buy

30	30. 30. The unexpected entry and subsequent ubiquity of Three Blind Mice	1:23	3.17 Mb	320 Kbps	buy

31	31. 31. We meet the mice again now in the cellos and double-basses where they p...	0:36	1.38 Mb	320 Kbps	buy

32	32. 32. More Three Blind Mice material	0:30	1.15 Mb	320 Kbps	buy

33	33. 33. The mice return to the basement where the bassoons have joined the cello...	0:19	0.73 Mb	320 Kbps	buy

34	34. 34. Next they are back with the clarinets now joined by pizzicato violas w...	0:18	0.69 Mb	320 Kbps	buy

35	35. 35. Now they return to the high winds delicately trilling	0:15	0.58 Mb	320 Kbps	buy

36	36. 36. Relief at last: the mice back off making way for a reminder of the main...	0:34	1.30 Mb	320 Kbps	buy

37	37. 37. The mice yield to woodpeckers clarinets the main theme or its opening...	1:07	2.56 Mb	320 Kbps	buy

38	38. 38. The triplets of the transitional theme are now handed down through stri...	0:23	0.88 Mb	320 Kbps	buy

39	39. 39. Reminders of past movements begin to fly by thick and fast sometimes ve...	0:28	1.07 Mb	320 Kbps	buy

40	40. 40. In fact there are three bits of quotation going on here simultaneously	0:23	0.88 Mb	320 Kbps	buy

41	41. 41. The violas react every time the Goin Home theme is quoted by the winds	0:13	0.50 Mb	320 Kbps	buy

42	42. 42. The rhythm of the opening of the Goin Home theme dominates transforme...	0:35	1.34 Mb	320 Kbps	buy

43	43. 43. The march theme reappears as a Mendelssohnian fairy the main theme from ...	1:55	4.39 Mb	320 Kbps	buy

44	44. 44. We reach an interesting point: have we heard the beginning of the recapit...	1:05	2.48 Mb	320 Kbps	buy

45	45. 45. Perhaps this is it? Back for a reminder of the theme proper as we first ...	1:41	3.86 Mb	320 Kbps	buy

46	46. 46. Tovey places the start of the recapitulation here	1:27	3.32 Mb	320 Kbps	buy

47	47. 47. The main theme recast in pathetic rather than heroic terms - and with mag...	1:51	4.24 Mb	320 Kbps	buy

48	48. 48. This unexpected crisis in confidence plays a major role in the overall dr...	1:49	4.16 Mb	320 Kbps	buy

49	49. 49. The main theme returns - not complete but chopped up into shorter and sh...	1:30	3.44 Mb	320 Kbps	buy

50	50. 50. A glorious thematic stew high drama a powerful build-up... but then?	0:56	2.14 Mb	320 Kbps	buy

51	51. 51. The dramatic highpoint of the movement an astonishing transformation bu...	1:26	3.29 Mb	320 Kbps	buy

52	52. 52. The same chords again this time blasted out by the entire wind and brass...	1:09	2.64 Mb	320 Kbps	buy

53	53. 53. Now we are into the finishing stretch but the surprises continue to the ...	1:42	3.90 Mb	320 Kbps	buy

54	54. 54. Summary context and cue into the whole movement	1:05	2.48 Mb	320 Kbps	buy

55	55. 55. Fourth movement complete	11:05	25.37 Mb	320 Kbps	buy

全部购买为 (九折)

CD1

1	01. 1. A quiet beginning: sorrow syncopation and sequence	2:38	11.27 Mb	598 Kbps	buy

2	02. 2. Instrumental colour as a prime element: clarinets and bassoons an outburs...	0:57	3.60 Mb	529 Kbps	buy

3	03. 3. The opening tune again with different instrumental colouring now flutes ...	0:32	2.08 Mb	544 Kbps	buy

4	04. 4. The first big surprise: strings shattering drumbeats shrieks from flutes...	0:37	2.73 Mb	618 Kbps	buy

5	05. 5. Cellos and basses take us into a new key while flutes and oboes dance in s...	0:32	2.01 Mb	527 Kbps	buy

6	06. 6. Horns violas and cellos introduce a new idea soon to evolve into the ma...	0:31	2.14 Mb	578 Kbps	buy

7	07. 7. A tiny detail from the opening culminates in a wild drumming that heralds ...	0:43	3.28 Mb	640 Kbps	buy

8	08. 8. Introduction complete	2:05	8.11 Mb	543 Kbps	buy

9	09. 9. A solo horn introduces the main theme perkily answered by bassoons and horns	0:39	2.65 Mb	570 Kbps	buy

10	10. 10. The theme moves to G major answering phrase from flutes oboes bassoons...	0:33	2.47 Mb	626 Kbps	buy

11	11. 11. Long crescendo tremolo strings back to tonic and biggest statement yet ...	0:39	3.09 Mb	664 Kbps	buy

12	12. 12. Transition to the secondary theme through the use of sequence. Sonata for...	1:36	6.52 Mb	569 Kbps	buy

13	13. 13. Three-bar groupings and again the use of sequence spelling out a chord	0:34	2.38 Mb	587 Kbps	buy

14	14. 14. The sequence continues to rise and the four-bar phrase returns as the st...	0:18	1.26 Mb	588 Kbps	buy

15	15. 15. The first violins start off the next phrase but the melodic shape is mor...	0:21	1.40 Mb	560 Kbps	buy

16	16. 16. The violins fall silent the violas and cellos answer with a new figure ...	0:09	0.67 Mb	620 Kbps	buy

17	17. 17. So now we have a two-tear group made up of statement and answer	0:07	0.46 Mb	554 Kbps	buy

18	18. 18. The same thing again though not quite the same	0:05	0.32 Mb	536 Kbps	buy

19	19. 19. Transition complete. The secondary theme arrives with French horns as b...	1:00	4.36 Mb	608 Kbps	buy

20	20. 20. The bagpipe drone is taken over by cellos with their insistently repea...	0:19	1.38 Mb	609 Kbps	buy

21	21. 21. The tune is taken up by cellos and double-basses shadowed by the secon...	0:57	4.37 Mb	641 Kbps	buy

22	22. 22. The violins continue a pattern of steady pairs and the cellos and basses...	0:33	2.34 Mb	593 Kbps	buy

23	23. 23. Unexpectedly we find ourselves back with the secondary theme. A new idea...	0:26	1.85 Mb	597 Kbps	buy

24	24. 24. Again we hear the shortened version of the secondary theme followed by m...	0:33	2.36 Mb	598 Kbps	buy

25	25. 25. The suspense is heightened as everything slows down a soft still varian...	0:25	1.74 Mb	580 Kbps	buy

26	26. 26. This beautiful flute tune is said to resemble Swing Low Sweet Chariot	0:47	3.31 Mb	591 Kbps	buy

27	27. 27. A big crescendo leads to a final statement of the closing theme bringing...	1:16	5.77 Mb	637 Kbps	buy

28	28. 28. The development section begins with a conversation between cellos double...	1:09	5.01 Mb	609 Kbps	buy

29	29. 29. The beginning of the closing theme is taken up in turn by the horn picco...	0:18	1.20 Mb	558 Kbps	buy

30	30. 30. Sequential chirping from the oboes based on the answering part of the m...	0:18	1.25 Mb	579 Kbps	buy

31	31. 31. Much of the development comes from a diminution of the closing theme from...	0:19	1.33 Mb	587 Kbps	buy

32	32. 32. A tiny detail becomes a major ingredient giving an agitated quality to a...	0:31	2.19 Mb	590 Kbps	buy

33	33. 33. Through a sequence of keys so quickly that it is hard to keep track of th...	0:37	2.68 Mb	606 Kbps	buy

34	34. 34. The main theme from massed cellos and double-basses topped by two trumpe...	1:46	8.75 Mb	691 Kbps	buy

35	35. 35. After that major climax we arrive at the threshold of the recapitulation...	1:04	4.55 Mb	596 Kbps	buy

36	36. 36. Dvorak flouts tradition by setting the secondary theme and the closing th...	1:10	4.88 Mb	584 Kbps	buy

37	37. 37. The tumultuous convulsion of the coda brings the first movement to its ep...	3:09	14.85 Mb	658 Kbps	buy

38	38. 38. Humpty Dumpty: putting the bits back together again	0:20	1.38 Mb	578 Kbps	buy

39	39. 39. First movement complete	11:36	55.73 Mb	671 Kbps	buy

40	40. 40. The very opening chords unmistakably herald the arrival of something special	1:06	4.07 Mb	516 Kbps	buy

41	41. 41. The role of instrumentation in setting the scene	1:10	4.27 Mb	512 Kbps	buy

42	42. 42. and in enhancing the quality of one of the most famous tunes in symphonic...	1:29	5.86 Mb	552 Kbps	buy

43	43. 43. The cor anglais is joined by the clarinet creating a fascinating change ...	1:08	4.34 Mb	534 Kbps	buy

44	44. 44. For the closing part of the tune there is another new sonority: cor angl...	0:24	1.60 Mb	555 Kbps	buy

45	45. 45. The closing bar is repeated by clarinets and bassoons the horn adding a ...	0:28	1.69 Mb	504 Kbps	buy

46	46. 46. Back to the start to hear the whole of the story so far this time withou...	2:24	8.64 Mb	503 Kbps	buy

47	47. 47. A change of scoring: the slow opening chords return this time played by ...	1:14	5.09 Mb	576 Kbps	buy

48	48. 48. The changes in scoring are just beginning	2:35	9.78 Mb	529 Kbps	buy

49	49. 49. The flutes and oboes introduce a new tune over hushed tremolo strings	1:05	4.32 Mb	557 Kbps	buy

50	50. 50. A memorable combination of continuous asymmetrical melody with steady m...	1:28	5.80 Mb	552 Kbps	buy

51	51. 51. Back in that woodland glade the light and shadows have changed revealin...	1:33	6.72 Mb	605 Kbps	buy

52	52. 52. The next section is new and forward-looking yet also a kind of dream-rec...	1:30	5.98 Mb	557 Kbps	buy

53	54. 54. Subjectivity and expertise Sourek and Tovey disagree onwards into the ...	5:14	20.56 Mb	549 Kbps	buy

54	55. 55. Cue to whole movement	0:10	0.69 Mb	573 Kbps	buy

55	56. 56. Second movement complete	12:00	46.33 Mb	539 Kbps	buy

CD2

1	01. 01. Dvorak Beethoven and the Scherzo Dvorak purposely confuses the listene...	1:54	7.74 Mb	569 Kbps	buy

2	02. 02. Using a little fanfare Dvorak further builds up expectation before revea...	0:21	1.44 Mb	572 Kbps	buy

3	03. 03. When the theme is revealed we find that it is not exactly a tune	0:36	2.44 Mb	566 Kbps	buy

4	04. 04. Two little bursts of rhythm provide the seeds from which much of the move...	0:24	1.58 Mb	548 Kbps	buy

5	05. 05. It is the second half of the theme that dominates	0:22	1.37 Mb	519 Kbps	buy

6	06. 06. Back to the beginning to hear the whole of this opening section	0:48	3.92 Mb	684 Kbps	buy

7	07. 07. Without ever being remotely academic or intellectual there is much c...	0:20	1.41 Mb	589 Kbps	buy

8	08. 08. Dvorak s very Czech love of combining conflicting rhythms sometimes metres	2:31	10.61 Mb	589 Kbps	buy

9	09. 09. A clearly transitional passage obsessed with the rhythmic tag that both ...	0:30	2.08 Mb	581 Kbps	buy

10	10. 10. Sooner than we may have expected we seem to have arrived at the Trio sec...	1:07	4.34 Mb	543 Kbps	buy

11	11. 11. A new kind of tone quality sheds a subtly different light on the theme	0:35	2.51 Mb	600 Kbps	buy

12	12. 12. The flutes and oboes now chime in with an answering variant of the opening	0:21	1.48 Mb	590 Kbps	buy

13	13. 13. and the cellos and bassoons take up the original version of the theme.	0:43	3.08 Mb	599 Kbps	buy

14	14. 14. A false alarm: it was not the traditional Trio section at all but rather...	0:52	3.51 Mb	566 Kbps	buy

15	15. 15. Soon after a very rapid build the Scherzo proper does reach its final phase	1:13	5.68 Mb	652 Kbps	buy

16	16. 16. The orchestral texture thins dramatically and we approach what this time...	1:28	5.79 Mb	552 Kbps	buy

17	17. 17. The Trio section is reminiscent more of the Old World than the New	0:50	3.48 Mb	583 Kbps	buy

18	18. 18. In the second half of the Trio a new tune emerges a kind of Slavonic waltz	1:00	4.21 Mb	588 Kbps	buy

19	19. 19. The main theme of the Trio returns against a much fuller orchestral backg...	0:36	2.74 Mb	638 Kbps	buy

20	20. 20. Then it is all a matter of repeats until we reach the coda which ends w...	1:15	5.16 Mb	576 Kbps	buy

21	21. 21. Third movement complete	8:07	36.99 Mb	637 Kbps	buy

22	22. 22. Like the first movement the fourth begins not with its main theme but wi...	0:47	3.55 Mb	632 Kbps	buy

23	23. 23. The main theme: an imposing march introduced by trumpets and trombones ...	0:48	3.96 Mb	692 Kbps	buy

24	24. 24. The main theme part two. A codetta-like passage closes off the march and...	1:01	5.28 Mb	725 Kbps	buy

25	25. 25. The transitional theme while outwardly contrasting is actually a hidd...	0:53	3.89 Mb	615 Kbps	buy

26	26. 26. A point of future obsession	0:16	1.16 Mb	604 Kbps	buy

27	27. 27. The second half of this transitional theme is given to the winds as soo...	0:16	1.20 Mb	627 Kbps	buy

28	28. 28. The obsession takes root with a ten-fold repetition before the arriva...	0:57	4.24 Mb	623 Kbps	buy

29	29. 29. The hidden traps in sonata-form terminology: second main theme vs. sec...	2:31	10.48 Mb	582 Kbps	buy

30	30. 30. The unexpected entry and subsequent ubiquity of Three Blind Mice	1:23	5.83 Mb	588 Kbps	buy

31	31. 31. We meet the mice again now in the cellos and double-basses where they p...	0:36	2.75 Mb	638 Kbps	buy

32	32. 32. More Three Blind Mice material	0:30	1.96 Mb	546 Kbps	buy

33	33. 33. The mice return to the basement where the bassoons have joined the cello...	0:19	1.33 Mb	588 Kbps	buy

34	34. 34. Next they are back with the clarinets now joined by pizzicato violas w...	0:18	1.18 Mb	549 Kbps	buy

35	35. 35. Now they return to the high winds delicately trilling	0:15	1.00 Mb	560 Kbps	buy

36	36. 36. Relief at last: the mice back off making way for a reminder of the main...	0:34	2.36 Mb	580 Kbps	buy

37	37. 37. The mice yield to woodpeckers clarinets the main theme or its opening...	1:07	4.48 Mb	560 Kbps	buy

38	38. 38. The triplets of the transitional theme are now handed down through stri...	0:23	1.64 Mb	596 Kbps	buy

39	39. 39. Reminders of past movements begin to fly by thick and fast sometimes ve...	0:28	1.89 Mb	566 Kbps	buy

40	40. 40. In fact there are three bits of quotation going on here simultaneously	0:23	1.54 Mb	561 Kbps	buy

41	41. 41. The violas react every time the Goin Home theme is quoted by the winds	0:13	0.89 Mb	571 Kbps	buy

42	42. 42. The rhythm of the opening of the Goin Home theme dominates transforme...	0:35	2.82 Mb	676 Kbps	buy

43	43. 43. The march theme reappears as a Mendelssohnian fairy the main theme from ...	1:55	8.78 Mb	640 Kbps	buy

44	44. 44. We reach an interesting point: have we heard the beginning of the recapit...	1:05	5.33 Mb	688 Kbps	buy

45	45. 45. Perhaps this is it? Back for a reminder of the theme proper as we first ...	1:41	8.70 Mb	722 Kbps	buy

46	46. 46. Tovey places the start of the recapitulation here	1:27	5.89 Mb	567 Kbps	buy

47	47. 47. The main theme recast in pathetic rather than heroic terms - and with mag...	1:51	7.52 Mb	567 Kbps	buy

48	48. 48. This unexpected crisis in confidence plays a major role in the overall dr...	1:49	7.14 Mb	549 Kbps	buy

49	49. 49. The main theme returns - not complete but chopped up into shorter and sh...	1:30	6.85 Mb	638 Kbps	buy

50	50. 50. A glorious thematic stew high drama a powerful build-up... but then?	0:56	4.41 Mb	659 Kbps	buy

51	51. 51. The dramatic highpoint of the movement an astonishing transformation bu...	1:26	5.49 Mb	534 Kbps	buy

52	52. 52. The same chords again this time blasted out by the entire wind and brass...	1:09	4.87 Mb	592 Kbps	buy

53	53. 53. Now we are into the finishing stretch but the surprises continue to the ...	1:42	8.14 Mb	669 Kbps	buy

54	54. 54. Summary context and cue into the whole movement	1:05	4.48 Mb	577 Kbps	buy

55	55. 55. Fourth movement complete	11:05	53.55 Mb	675 Kbps	buy