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CD1

1		I. The direct main subject		3:24	7.79 Mb	320 Kbps	buy
2		II. The direct main subject		3:10	7.25 Mb	320 Kbps	buy
3		III. The inverted main subject		3:21	7.67 Mb	320 Kbps	buy
4		IV. The inverted main subject		4:01	9.20 Mb	320 Kbps	buy
5		V. Both the direct and inverted main subject, dotted variation		4:29	10.27 Mb	320 Kbps	buy
6		VI. Both the direct and inverted main subject, dotted variation - both diminished		3:56	9.01 Mb	320 Kbps	buy
7		VII. Both the direct and inverted main subject, dotted variation - both diminished as well as augmented		3:26	7.86 Mb	320 Kbps	buy
8		VIII. Double fugue with a new and the main subject		3:03	6.98 Mb	320 Kbps	buy
9		IX. Double fugue with a new and the main subject		5:12	11.91 Mb	320 Kbps	buy
10		X. Tripple fugue with two new polythematic subjects and the main subject		7:11	16.45 Mb	320 Kbps	buy
11		XI. Tripple fugue with two new polythematic subjects and the main subject		7:03	16.14 Mb	320 Kbps	buy

CD2

1		XII. Canone all ottava		3:10	7.25 Mb	320 Kbps	buy
2		XIII. Canone alla decima		6:29	14.84 Mb	320 Kbps	buy
3		XIV. Canone alla duodecima		2:12	5.04 Mb	320 Kbps	buy
4		XV. Mirror - and augmentation canon		5:48	13.28 Mb	320 Kbps	buy
5		XVI. A mirror - a counter-fugue for three voices with the main subject essentially varied (direct)		2:31	5.76 Mb	320 Kbps	buy
6		XVI. A mirror - a counter-fugue for three voices with the main subject essentially varied (inverted)		2:37	5.99 Mb	320 Kbps	buy
7		XVII. Mirror fugue with four voices (direct)		2:44	6.26 Mb	320 Kbps	buy
8		XVII. Mirror fugue with four voices (inverted)		3:00	6.87 Mb	320 Kbps	buy
9		XVIII. The last (closing) quadruple fugue		15:01	34.37 Mb	320 Kbps	buy

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CD1

1		I. The direct main subject		3:24	14.61 Mb	600 Kbps	buy
2		II. The direct main subject		3:10	13.91 Mb	614 Kbps	buy
3		III. The inverted main subject		3:21	13.99 Mb	583 Kbps	buy
4		IV. The inverted main subject		4:01	18.23 Mb	634 Kbps	buy
5		V. Both the direct and inverted main subject, dotted variation		4:29	19.59 Mb	610 Kbps	buy
6		VI. Both the direct and inverted main subject, dotted variation - both diminished		3:56	18.72 Mb	665 Kbps	buy
7		VII. Both the direct and inverted main subject, dotted variation - both diminished as well as augmented		3:26	16.55 Mb	673 Kbps	buy
8		VIII. Double fugue with a new and the main subject		3:03	14.07 Mb	644 Kbps	buy
9		IX. Double fugue with a new and the main subject		5:12	22.82 Mb	613 Kbps	buy
10		X. Tripple fugue with two new polythematic subjects and the main subject		7:11	32.57 Mb	633 Kbps	buy
11		XI. Tripple fugue with two new polythematic subjects and the main subject		7:03	33.51 Mb	664 Kbps	buy

CD2

1		XII. Canone all ottava		3:10	13.34 Mb	588 Kbps	buy
2		XIII. Canone alla decima		6:29	25.71 Mb	554 Kbps	buy
3		XIV. Canone alla duodecima		2:12	10.22 Mb	649 Kbps	buy
4		XV. Mirror - and augmentation canon		5:48	25.09 Mb	604 Kbps	buy
5		XVI. A mirror - a counter-fugue for three voices with the main subject essentially varied (direct)		2:31	11.13 Mb	618 Kbps	buy
6		XVI. A mirror - a counter-fugue for three voices with the main subject essentially varied (inverted)		2:37	11.21 Mb	598 Kbps	buy
7		XVII. Mirror fugue with four voices (direct)		2:44	11.55 Mb	590 Kbps	buy
8		XVII. Mirror fugue with four voices (inverted)		3:00	12.69 Mb	591 Kbps	buy
9		XVIII. The last (closing) quadruple fugue		15:01	73.29 Mb	682 Kbps	buy

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